Blak Tornado Interviews Himself About “Unlucky For Some” (Woo!) [Music]
Saturday, October 31st, 2009Because no-one cares about me or my music enough to interview me about my album, I have been forced to interview myself about this album. I like to think that there is someone willing to read it out there, but again, if no-one wants to interview me then who wants to read an interview? Oh well. Just like all the “Frequently Asked Questions” pages before (which, coincidentally, consisted of questions that I assumed people would ask me if they were to ask me anything), this epic show-stopper of interviewation is brought to you by the Blak Tornado corporation – because nothing says loner like someone who talks to themselves. Right, here goes.

Well, firstly, how long have you been recording music?
I’ve been making music for about five years now… and I still feel like I’m the shallow end of the pool. I recently bought Logic Express (coincidentally right after I submitted the new album for cataloging on the iTunes Store and Amazon MP3) and when reading through the manual, I was stumped by all the complex audio procedures, like channeling sounds through busses and so on. It’s like I’m a little fish in a big pond but I’ve been here a while… at least that’s some small mercy!
How long did it take you, and how did you record this music?
Well this album is coming out literally two years and a day after the last, so I’d say two years.
You didn’t answer my whole question; how did you record it?
Oh, sorry (Hey, I’m allowed to forget parts of questions I just asked myself!). I used Apple Garageband to do the most of it (recording, mixing, etc.) but used Sibelius for writing scores, especially in orchestral tracks like “Substiture”. But I also used it to write the synth parts in “Just Because You Can, It Doesn’t Mean You Should”, “Not Lust” and “Prepare For The Attack”.
Speaking of synths and orchestras…
Yes! Haha. This album is a bit, well, different from the last. “An Unnecessary Biography” was literally just a guitar, bass and drum album (with a few bits of subtle keyboard here and there), whereas this album is more… well, varied. Take the first track “Humble”. It starts of with a very mellow piano sequence, which then explodes with guitars, drums and vocals. Compared to “Why Don’t You See?”, it’s a very stark contrast. This album was basically what I would have done if I could have done. Thanks to digital recording, I’ve literally got every instrument and sound imaginable at my finger tips.
My first introduction to playing music was very classical as I played the cello, and I think this album shows a fair amount of that. Back in the days of Weather Report (help me, God), I remember trying to rig my cello up to my 12-track, but the sound wasn’t that great and I couldn’t really tune it, so I decided to ditch it for An Unnecessary Biography. I think this time round, I was given a lot more freedom with what I could do (while still sounding pretty good)… And that’s how tracks like “Substiture” came to be. I also had another track of similar nature that was originally going to be on the album, but it just didn’t sound right. I think Substiture managed to get away with it somehow… maybe we’ll see this track again in the future?
What’s your favourite track from the album?
Well, that’s a hard one. In all honesty, I like them all (obviously), but the one that really shone through at the end was “Red Letter Day”. When I was reviewing which tracks I wanted to keep on the album, I listened to them all and at the time, the previous version didn’t rank very highly. I was actually really close to cutting it… but then a voice inside me said “Hey, this track could be really good. Re-record it.” So I did… But it still didn’t sound right. It felt like there was something missing. At the very last minute, I was jamming along to another band when I thought “I wonder what would happen if I try to play Red Letter Day like this”… and that was it. That was what the track needed. So I added a the extra guitar part and needless to say, I’m really pleased with how it came out, and I’m glad I kept it in the end.
Finally, if there was one track you could go back and redo again, which one would it be?
Hmm… I’m not sure. I think there were a couple I recorded and never did anything with seriously, but overall I’m happy with the way they’ve all come out. In all honest, I would have liked to have sent them all through the Logic machine before releasing them, but everything else is good! I think the biggest thing I would change is the bloody drums. I only had about 5 different Apple loops that sounded good and had to use them all the way through the album. (The Software drums were a little lame and I don’t have a drum kit in my abode)
Thank you for your time
No, thank you!
No, thank you!
I think I might go and cut myself now…

